It’s very much like Cork with a university of its own and a Saturday open-air market selling fruits and flowers and footwear, where we bought a pair of St. Bridget’s Crosses- reed-woven square constructs that reminds me of the palm-frond crosses we used to make at Calvary.
From the market we found our way to St. Mary’s Cathedral. Built in 1168, it’s the oldest building in Ireland still used for its intended purpose. The property is surrounded by city on all sides, as well as raised graves and family plots put into every corner. The interior is wide and spacious; the history surrounding you in busts of patrons and cardinals, plaques commemorating donations, and in the very pock marked white-washed walls and archways. But for all this, it is evidently still a very alive and active modern parish, with billboards and newsletters and service times to greet you as you walk in.

A stone archway commemorating a cathedral donor.
After taking a turn around the cathedral we headed farther down the Shannon to King John’s Castle and the last vestiges of the formidable stone wall the once surrounded Limerick. One large round turret greets you at first sight, flanked by the gleaming modern front of the visitor’s center. Once you walk through the “thrilling” and strangely oriented history of the castle, you can emerge into the courtyard, complete with fire pit, blacksmith booth, covered wagon, and even a real live hangman’s noose.

Certainly worth the photo opportunities.
The castle itself was a wonderful vantage point for the city. From along the wall we could see as far as the Muster Rugby Stadium while hundreds of feet below the Abbey rushed into the Shannon. The castle sits directly on the banks of the Abbey, stone wall plunging into the water. At high tide it is a spectacle.
We finished our tour of the castle with an underground view of the recently excavated entryway and wandered farther into the city to the Hunt Museum, a privet collection of artifacts from all periods of European history. It was a bright, clean place with each exhibit propped for the best view. There were drawers full of artifacts to examine and even special places where you could stick your hand in a feel the object before guessing what it was (not just for kids, considering the drawers were often at chest-level.)
By this time it was nearly 3 o’clock, so we settled into the Gallery restaurant and made ourselves PB&J sandwiches, all the while contemplating the dessert selection, which we eventually had to give in to.

My choice, Apple Crumb pie with creame.
Thus refreshed we retraced our steps back to the Limerick City Gallery of Art, a free public institution on the edge of the spacious and shaded People's Park, which surrounds Rice's Memorial; a large pillar of stone capped with a stature of the aforementioned Thomas Rice. We wandered the park for a bit, where my camera’s battery decided to give out, and then headed onto the museum. While the main exhibit was closed for a conference, we did see a collection by artist Clare Langan called “The Ice Above, The Fire Below, and Other Works,” which consisted of three videos, four to nine minuets in length, and eerily enhanced with chilling music. From there we found a second exhibition called “Into to Irish Drawing,” a hodgepodge of contemporary Irish artists, each with their own selection of pieces covering everything from old newspapers to charcoal silhouettes.
By the time we wandered back down to the main floor dark was already falling, and there being only a two block walk back to the bus station, we turned our way there. As we waited for our bus to pull up, I stood outside the station holding my reed-woven cross to keep it from getting crushed in my bag when an older Irish gentleman took note and struck up a conversation about how long it had been since he wove one of them himself. Ending his short story with a handshake and an ernest "Godbless ya," we were sent back to Cork.







